At one point I had all gear connected, like this. That’s over 20 hardware synths and drum machines, integrated in a working and sort of intuitive ecosystem. The idea was to be ready and not having to unpack and reconnect shit, which could be time-consuming and kill inspiration in the meanwhile.
But, I tried this setup for a month, and for me it didn’t work that well. Every time I saw the pile of stuff I suffered a little from some kind of performance anxiety, I froze. It was like all this premium gear was looking at me and saying, “we’re just perfect and you got all possibilities in the world man, why can’t you produce better music? You’re not worthy.”
In spite of its purpose, the setup with all gear mounted and routed had become counterproductive. Truth is, I always worked best with constraints, regarding concept or gear, and to some extent, even budget. For me limitations do drive creativity.
Therefore I disassemble the gigantic keyboard stand and everything on it. (Also, I live in a relative small flat and a home studio like this takes more space that I can afford.) I haven’t yet worked out a storage system for all gear, but I think I put (hide) them in some drawers.
The new idea is to only have a master keyboard/MIDI controller, an audio interface, a mixer, a pair of studio monitors connected to a DAW, and then temporarily plug in the hardware I want to use for a certain project. Right now I’m working on three tracks and there are only four synths on my desk: Elektron Analog Keys, Moog Minitaur, Roland SH-101 and Casio CZ-101.